Sunday, April 28, 2024

Lark House: Mid-Century Home Meets Contemporary Style

mid century house

The living room area is spacious and airy, with a large stacked-stone fireplace. What intrigued us was the unique driveway that leads to the entrance. The living room does justice to a mid-century traditional design by incorporating a fireplace and a massive glass door. The dining and kitchen area features top-notch appliances and beautiful tables. As we reach the last couple of recommendations, we wanted to include another celebrity’s home on our list.

Where can you find Mid-Century Modern homes?

“I think it’s really the materials, the open flowing spaces, and the real sunny feel to them that draws people to the architectural style to this day,” explains Ike, who lives in a midcentury-modern home himself in San Diego. Midcentury modern is a term that’s thrown around a lot these days, but what is it really? Midcentury-modern architecture is not simply anything that was designed and built in the middle of the 20th century, but in fact an architectural style with a defined set of principles and influences. You’ll also see a connection to nature in other forms, such as the use of raw materials and houseplants as decoration.

Mid Century Modern FAQ

On the Market: Gladwyne Mid-Century Modern House for Sale - Philadelphia magazine

On the Market: Gladwyne Mid-Century Modern House for Sale.

Posted: Thu, 08 Feb 2024 08:00:00 GMT [source]

“There’s just something really appealing about the symmetry and openness of things,” he says of the homes. When soldiers returned from World War II, they built midcentury homes all across the United States—meaning, you'll find midcentury modern homes in virtually every town and state. Although midcentury modern architecture boomed all across America from 1945 to 1969, it's seen a major resurgence in recent years.

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Attention to detail is evident in the choice of materials and fixtures throughout the house. In the kitchen, custom cabinetry and high-grade woodwork blend the house’s original architectural elements with new, modern additions. The installation of a Nero Marquina Marble island and a walk-up coffee bar enhances functionality while maintaining aesthetic allure. The primary bedroom saw a strategic remolding to foster privacy and serenity, including a modified entrance through an enlarged walk-in closet and a repositioned two-way fireplace.

We loved the fact that the San Jacinto Mountains form the backdrop to this house. Another striking feature of this house is its glass walls that allow you to bask in breathtaking views of the valley below. The house has six bedrooms, four full bathrooms, and one partial bathroom over an area of 3,833 square feet.

The practice of "Tudorizing" was also common for Cape Cod style houses. As the middle class became wealthier, ornamentation returned in a restrained way. The Minimal Tudor Cottage is more elaborate than the Minimal Traditional house style, but not nearly as elaborate as the "Medieval Revival" Tudor house style of the late 1800s and early 20th century. The large glass lamp on the side table is a vintage Sergio Mazza design. Artworks include a Lillian Florsheim sculpture (left) and a Lucio Fontana print above the fireplace.

Located in Bainbridge Island, Washington, this house was designed in 1965 for the pioneering engineer behind the Kingdome roof and several other iconic sites throughout Seattle. We especially liked the concrete floors in this house, which provide in-floor radiant heating. You also get insulated, in-floor heating bathtubs in the bathrooms. The flat roofs, stone fireplaces, and large cantilevered overhangs pay homage to Wright’s style. It also has a swimming pool in a natural setting and lavish grounds full of trees.

Though these are popular colors from this period, not all of these colors are found in every home of this style. The stage was set for midcentury-modern design by visionary architects and designers that preceded the period. Frank Lloyd Wright is undeniably the most influential figure on the period.

mid century house

The materials were often unfinished to give them an authentic look. Large windows and extensive use of glass is another signature trait of Midcentury homes. This gives a futuristic appearance without feeling overdone or unanchored because it also highlights natural beauty which is grounding and timeless. It is generally smaller scale, a far cry from the oversized chairs of other styles. Unique shapes, materials, and patterns are the hallmarks of midcentury modern furniture.

The exterior includes a private pool, elegant landscaping, and a courtyard oasis. We especially liked the floor-to-ceiling glass windows that offer panoramic views of the surrounding mountains. Some restoration work has been carried out on the original ceiling of this house, and the original tiles have been replaced with a glossy resin coat. It features a rectangular design, with sides measuring 25 feet and 95 feet.

Mid-Century Modern style was brought to the United States by European designers. Notable pioneers include Walter Gropius, Ludwig Mies van der Rohe, and Marcel Breur. Frank Lloyd Wright, the father of Modern architecture, trained and taught many Mid-Century Modern architects. A new double-height living room with a pitched roof and full-height glazing was added to modernise this 1960s home in Phoenix, creating sightlines up and out towards nearby Camelback Mountain. The renovations below see many of these original features retained and restored, supplemented with contemporary additions such as double-height ceilings and furniture by the likes of Tadao Ando and Mario Bellini.

His philosophy of "organic architecture" emphasized the importance of nature and the human body in design, a sharp contrast to the coldness with which the International Style was often regarded. Wright was also incredibly influenced by Japanese art and architecture, and his adoption of certain motifs—decorative screens, lacquer, paneling—embedded these in the language of American modernism for years to come. At the same time as European modernism was taking off, Paul Williams was beginning his career in Los Angeles. After three years working for John C. Austin, Williams opened his own office, where he received acclaim as a master draftsman (shown is a drawing of his for the Linde Building in Los Angeles). As a Black architect often working for white clients, Williams even became proficient at sketching upside down—to accommodate racist clients who refused to sit beside a Black man.

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